Month: February 2025

Automatic Flowers

“Why do you always bring me flowers…”

“Because I love you.”

“…from the cemetery?”

“Because they don’t need them.”

“And why are they always dead?”

“Because we don’t like to bury people alive these days.”

“I mean the flowers. Why are the flowers always dead?”

“I guess because dead people don’t care if the flowers are alive or not.”

“I mean…why don’t you bring me alive flowers?”

“Where would I get live flowers?”

“Maybe a flower shop!”

“But the flowers are already dead there, too. They just look alive. But they are dying the moment they’re cut off.”

“But they don’t look dead. Why don’t you bring me flowers that look alive?”

“Because that’s a terrible metaphor.”

“Why does it have to be a metaphor?”

“Aren’t flowers always a metaphor?”

“Sometimes they’re just pretty.”

“So is a sunrise, but I don’t bring you that.”

“You couldn’t bring me a sunrise.”

“So is a butterfly, but I don’t bring you that.”

“Touché.”

“And sometimes flowers are not metaphoric at all: ‘Here are some genitalia for you to put on your table.’”

“But what’s the metaphor for flowers?”

“‘Our relationship looks pretty, but really it’s dying a slow, painful, smelly death.’”

“But what’s the metaphor for the flowers that you bring me?”

“‘My love will still exist, even when you’re ugly, dried up, and/or dead.’”

One more thing

…and also, I made a list of places:

  • Stargate
  • the kitchen stool on the far left
  • Pittsburg
  • first
  • in stillness
  • the northeast side of the table
  • Preposition Alley
  • third desk to the right in row 4
  • a skyscraper
  • Lawrence Fishburne’s nose pore in The Matrix
  • Grandma’s lap
  • dese nutz
  • in a frying pan
  • Le Purgatorio
  • under the table
  • in my water glass
  • Lion’s Gate
  • under my hair
  • the place of taking the waters
  • the place of taking to the waters
  • the waters
  • SPACE
  • nowhere
  • the universe 2 back
  • in a pig’s eye
  • Weekee Watchee
  • noneya

My pleasure.

My findings tonight

https://robswordshop.blogspot.com/

 

The Simulacra by Philip K. Dick

 

Here begins the novel.

This point occurs just after the beginning of the narrative.

Here a second character is introduced.

The third chapter starts now.

Perhaps this section should have been removed.

This chapter is a flashback.

Here the author lost track of his narrative (accounting for why a reader’s attention wanders).

This must be the middle of the novel.

Nowhere else except here can be the climax.

The action, previously set in the past, now shifts into the present.

The last third of the book begins when the protagonist dies.

Either the author or the publisher made a strategic mistake.

Events within the story suggest continuance into the future.

This novel ends suddenly.

                            -Crux Desperationis 1, 2011

 

https://ubu.com/contemp/daniels/gates_menu01.html

 

You are welcome.

Human creations

I apologize.

No. I take that back. I don’t apologize.

But I do realize that I’ve been pretty Debbie Downer on here lately, or Lame Ame, if you will. And that’s a part of the system of complaining that we have.

For example, I look at “How am I driving?” stickers on the backs of cars and think, “Pretty good, human. [slow clap, perhaps] Well done. I should tell you about it at the phone number listed below.” But I don’t. Life and time pass, and it slips my mind. (And of course there’s the ever encroaching fear that looms larger every day of using the telephone for its original use.) But of course if someone sideswiped me and then laughed about it and called me Stinky Arnold as they went by, then I would certainly call that number as fast as possible.

BUT THAT’S NOT THE POINT. That would be to put some positivity out there. So here are the most beautiful and amazing things that blow me away that humans made without making them for their beauty. I’m leaving out the ones that go without saying (i.e., the Taj Mahal, the art at street festivals, your mom, etc.)

-the grid of airplanes waiting for their descent into O’Hare (artists: air traffic control, pilots)

-lines of streetlights marching off into the distance between and around highways

-forgotten places made mainly of cement, but you can’t see the cement for all the graffiti.

-any human ever.